الممثل و علاقته بالتكنولوجيا الرقمية

Author

سعد محمد راضي

Source

مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية

Issue

Vol. 2, Issue 32 (01 Jan. 2019), pp.243-255, 13 p.

Publisher

Wasit University College of Arts

Publication Date

2019-01-01

Country of Publication

Iraq

No. of Pages

13

Main Subjects

Arts
Information Technology and Computer Science

Abstract EN

The invention of the light bulb in 9781 and its use in the theater was considered the first challenge facing the actor to change his method of performance according to the requirements and data given by the light from the lamp.

With high- tech developments, the actor's performance parallels this development but very slowly is not compatible with the rapid development of technology.

But in the age of the most complex technologies of the 32th century, most of the reforms of actor's art tended to return to normal And the contemporary actor has not committed himself to anti-technology to retain its human nature and not to deviate from it for more live communication with viewers.

On the other hand, the rest of the other elements were eager to evolve to cope with technological development.

In general, the movements of the actor, his signals, his behavior and his gestures on the stage are combined with the components of the cinemography in the group of dialectical relations flowing gradually like a sequence of successive images in order to convey the general message of the work of art that presented the contemporary actor with challenges related to his training first.

And his performance techniques II.

These challenges are further exacerbated when the actor plays a role in a presentation using technology, such as the scene of the image, which uses great techniques, and based on semantics as a methodological means of analyzing actor performance in this area.

The scholar of the world theater scene is aware of the technical transformation that has contributed to most of the artistic performances and the importance of digital applications in completing the play and the composition of its elements.

Creators had only to invest in the interactive media function by taking advantage of the nearby arts and the latest developments in science, technology and media, and betting on the high quality that ensured the theater a decent position among other arts such as cinema and television from virtual reality shows, programming and visual visualization.

Computerization and related software and settings have enabled programming and improved visual visualization.

And to engage the recipient and deepen his role in the work to allow the establishment of new relationships between the viewer and actor.

This transformation is due to several factors, including openness to modern technologies and demographics and the discovery of new horizons in the field of cinemography, decoration, architecture, visual and audio effects and the impact of cinema and video arts.

Hence, we must examine the influence of the theater and through the representative and employment of digital technology, as the theater is an important means of communication through which the theater can deliver the media message to the public.

American Psychological Association (APA)

سعد محمد راضي. 2019. الممثل و علاقته بالتكنولوجيا الرقمية. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية،مج. 2، ع. 32، ص ص. 243-255.
https://search.emarefa.net/detail/BIM-1178451

Modern Language Association (MLA)

سعد محمد راضي. الممثل و علاقته بالتكنولوجيا الرقمية. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية مج. 2، ع. 32 (كانون الثاني 2019)، ص ص. 243-255.
https://search.emarefa.net/detail/BIM-1178451

American Medical Association (AMA)

سعد محمد راضي. الممثل و علاقته بالتكنولوجيا الرقمية. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية. 2019. مج. 2، ع. 32، ص ص. 243-255.
https://search.emarefa.net/detail/BIM-1178451

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 254

Record ID

BIM-1178451