تمثلات النحت الإغريقي القديم في أعمال الخزاف يانيس نانوريس

Time cited in Arcif : 
1

Joint Authors

مسلم، أسعد جواد عبد
حسين، خالد جبار أسود

Source

مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية

Issue

Vol. 2, Issue 32 (01 Jan. 2019), pp.273-290, 18 p.

Publisher

Wasit University College of Arts

Publication Date

2019-01-01

Country of Publication

Iraq

No. of Pages

18

Main Subjects

Arts

Abstract EN

The present study deals with the representations of ancient Greek sculpture in the work of the potter Yannis Nanoris, a study that dealt with the work of the Greek potter Yannis Nanoris.

The first chapter deals with the methodological framework of the research, which is the problem of the research, which focused on highlighting the representations of ancient Greek sculpture, which played an active role in the development of the work of the potter Yannis Nanoris.

The first chapter contains the objective of the research, Ancient Greek works of potter Yannis Nanoris.

Limitations of the research The current study was determined by ceramic work of the pottery of Yannis Nanoris.

The second chapter covered the ancient Greek pottery and the contemporary European ceramics.

The second part, And the bishop Yannis Nanoris.

The third chapter included the research procedures that included the research community and its sample, the research method, the research tool, and the analysis of the five research samples.

The fourth chapter contains the results of the research and its conclusions, and the researcher reached a number of results, the most important of which: 1 - The sculptural features in the work of potter Yannis Nanoris through the use of pottery human sculpture forms associated with Greek mythology as in the sample samples (1, 2, 3, 4 '5).

2.

The work of potter Yannis Nanoris was characterized by movement, a figurative trait of the ancient Greek statues.

The Greeks emphasized the movement, especially in the statues of the athletes, as in the sample models (1, 3, 4, 5).

The research presented a number of conclusions, the most important of which are: 1 - The inspiration of the potter Yannis Nanoris of the sculptural vocabulary inspired by the ancient Greek civilization added to its ceramic products the character of originality.- The symbolic values carried by the products of potter Yannis Nanoris came to represent the image of gods and kings in the ceramic products The fourth chapter also included the researcher's recommendations and suggestions as well as the mention of the researcher to prove the sources and supplements and the summary of the research in English.

American Psychological Association (APA)

مسلم، أسعد جواد عبد وحسين، خالد جبار أسود. 2019. تمثلات النحت الإغريقي القديم في أعمال الخزاف يانيس نانوريس. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية،مج. 2، ع. 32، ص ص. 273-290.
https://search.emarefa.net/detail/BIM-1178456

Modern Language Association (MLA)

مسلم، أسعد جواد عبد وحسين، خالد جبار أسود. تمثلات النحت الإغريقي القديم في أعمال الخزاف يانيس نانوريس. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية مج. 2، ع. 32 (كانون الثاني 2019)، ص ص. 273-290.
https://search.emarefa.net/detail/BIM-1178456

American Medical Association (AMA)

مسلم، أسعد جواد عبد وحسين، خالد جبار أسود. تمثلات النحت الإغريقي القديم في أعمال الخزاف يانيس نانوريس. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية. 2019. مج. 2، ع. 32، ص ص. 273-290.
https://search.emarefa.net/detail/BIM-1178456

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 288-290

Record ID

BIM-1178456