فينومنولوجيا الترحال في الممارسة الفنية من خلال تجربة الفنان التشكيلي خالد عبيدة

Abstract EN

The purpose of this article is to attempt to read and analyze phenomenological the semantics of some paintings through the artistic experience of the nomadic line 1 and 2, and to further interpret the innovations of that artistic experiment, which was conducted by the Tunisian figurative artist Khaled ABIDA.

Indeed, our reading does not mean merely sustain the apparent connotations, but rather seeks to uncover the deep structure of the image in its phenomenological aspect and its interactive presence on our lives, through ''returning to the same things'' and representing it as a living phenomenon.

This phenomenological approach to the philosophy of nomadic draws us to the aesthetic of the artistic image of the artist Khaled ABIDA, with the commitment and resistance that this endeavor requires.

Therefore, one of the most important findings of the article, through the experience of the nomadic line, is the profound confluence of all philosophical, artistic and poetic knowledge.

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And the anthropology presence of the ethics housing within the image, the self and the world.