التقمص الكولونيالي و ازدواجية الهوية في رواية : فضل الليل على النهار لياسمينة خضرا

Abstract EN

Undoubtedly, the historical novel in Algeria has tended in the recent years to the activation of the artistry structures suitable with this genre of narrative, which is still ranging from the crude reporting to the overt criticism for everything classified as Halloween by the official history.

however, the ideology has worked on inspiring incongruous tends between the discourse's facets that includes this narratives.

this leads to the return of the detection and the immersion aspects to the skepticism of the text's intention through the question of intention of the ideas related to the editorial revolution history which remained to tabs for decades.

this research focus on the narratives work form cultural criticism perspective, referring to the colonial connotation that exist in the narrative folds mingled with a narrative language that adopted the traditional romantic approach to providing historical knowledge, according to ideological formation that sweeps through the prevailing pattern of providing identity speech and contradicts it in a radical and systematic form.