إنشائية الذات في المعلقات

Abstract EN

In this work we wanted to monitor the aesthetic ego poet.

We found that the self accomplished a metaphor for its image thanks to its linguistic، ideological and cultural competence، and left its effects to pick it up.

It combines its diasporas and the image of the ego in a «state of wear» is formed in its coil which is a circumstance.

And similarities that call the Arabic poetry.

This does not mean، however، that the suspension is free of the presence of the individual in which there is a unique presence.

This has appeared in the ego that we have described in the description and narration.

(And did not appear in relation to elegance، as did Tarfa ibn al-Abd، for example)، which are related to the classified and transformed into positive or negative values and transferred from the empirical presence to the presence of poetry and reveal at the same time Its moral and aesthetic systems are transmitted in turn from being an omniscient to conscious existence.

God is intended.