تجليات (الشعرية)‎ في التراث النقدي العربي بين النظرية و الإجراء : قراءة في كتاب (المرقصات و المطربات)‎ لابن سعيد المغربي (ت 685 هـ)‎

Abstract EN

One of the most important findings of this research is that it revealed the importance of the approach of heritage to a contemporary approach that shows the negative spirit of criticism that is much closer to what is common in modern critical discourse of critical concepts and terms.

Ibn Said Almaghrabi put forward a comprehensive concept that is very close to the general framework of the term (poeticism)In the modern subtract which was manifested in the Western expatriate and the Arab importer in the era of modernity and beyond, as reflected in the subtract in the critical blog that is read here as critical terms implying a general understanding of the concept may meet with similar concepts newly introduced to the term poeticism, and he lay it in his theoretical blog and in it’s introduction.

He made it as an entrance for his wise reading for Arab heritage poetry and verse.

Ibn said Almaghrabi started from the conception of his age, and his cultural references, and his intellectual mobility emanating from his influences in his environment, which is based on entertainment and dance This is a general culture, and all this has been drawn on the poetic output in particular, because it is the rich substance that is presented in these councils.

It is concluded that the concept of poeticism in the perspective of Ibn Sa›id is a procedural one in the search for the wonderful and influential meaning that is performed in clear language within the scriptural context.