البوليفونية أو تعدد الأصوات في الموشحات الأندلسية

Abstract EN

Mikhail Bakhtin is the first critic to speak of this term that was transferred from music, this term was initially applied to the novel, the Polyphonian novel is that novel in which there are many characters in dialogue, and many points of view, and the scope of use of the term has expanded to be applied On the poetic text as a literary discourse contains a narrative character, and one of the conditions to be provided in the Polyphonian poem is to be extended over a suitable textual space, and therefore the multiplicity of voices and their interplay is reflected in the narrative poem based on linguistic deviations and deviation from its criteria where The real and customary personality expands within the Polyphonian poem, and this is what we found in the Andalusian manuscripts has varied artistic forms in it, and the research noted that Andalusian manuscripts extend over a wide textual area and consist of reading, roles, lock and exit, and this gives them a dramatic dimension, and this dimension Drama is the basis for the formation of any diversity and multiplicity of voices, and the researchers saw that the literary text, which contains a dramatic dimension qualifies it to enumerate the voices and monitor the research in many Andalusian manuscripts diversity of consciences and their transition from the conscience of the speaker to the conscience of the absent and the addressee, which constituted a diversity in the forms of speech, and found.

The research is diverse in the images and analogies with their multiplicity, their complexity, their interplay and their diversity until it became a phenomenon in the Andalusian scarves and this formed the artistic thalamus of the multiplicity of sounds in the scarves