التخييل في الموروث النقدي العربي

Abstract EN

The main reason of this study is show the immagenary side of literature, specialy the side that immagination play in it a secret rol that only the receiver or listeaner can see it but with his own vision and it can also help him to get his own exectation horizon The problem is: How can the literary immagination specialy poetry, be able to be inderstandable ? How can ranwal of concepts and methods ways have a place in the literary creation? From this problem, we find several questions wich enconrage to put ways to securing the immagination in a literary product specially in poetry How can immagrmation be relized in the poetical texts if we he now before, the bond between the immagenation literary and the filling that the receiver of this poetry will get? Also, what is the new concept given by well spokens and the literary criticism, and the determination of the immagination concept that can be able to chrange that one suggested by modern an contemporary The immagination concept is passed from the well spokens stage to the literary criticism stage specially that of poetry, the signification and the value of the poetic speach are determinated by… But from the immagination because the immagination aspect of poetry and the filling of the receiver are in relation.

That is the result of the imitatif act by the receiver of the fictif creation og the poet actor for this cause some criticism consider this act like a production mecanism more than a consequencen it represent the bighst level that the outstanding can get with the consideration of the immagination this one play the rol of the factor wiclr determinate the literary product and the poetic emergency From the argument, the study of modern literary criticism give a lot of intention the invisible structures in literature speach with it trying to explain the different relationship between structurel elements the important for this criticisms, is the study of immagination.