توجيه الأداء لدلالات الخطاب القرآني

Abstract EN

Most linguists agree on many aesthetics that rise to the word of God Almighty and transcend it towards understanding, taking into account the methods of performance as the art of sound articulation, leading to three main meanings: pictorial connotations, emotional excitement, and aesthetic splendor, so the art of performance dominates modern studies such as Phonology, methods of communication and the art of recitation ..., As there is a set of factors guiding the performance process, some of which are environmental, and some are objective based on three axes that establish the entire performance process, which are uncompromised: the transmitter (the Noble Qur’an and its readings), the transmitter (reciter or reciter), down to (the recipient or the listener).

All this is according to tasks entrusted with performance in order to achieve the Qur’anic intent such as expressive, synthetic, and semantic emotionality, which is what we seek in our research