فاعلية السخرية في تشكيل الخطاب السردي العربي القديم : مقامات بديع الزمان الهمذاني بين إكراهات الواقع و إنسابية المتخيل

Abstract EN

It may be difficult for us to set a specific date that determines the emergence of irony in human society, and yet we can claim that it existed since the existence of man, his awareness of himself and his difference from the other, where the idea of the transcendent ego and the feeling of preference and transcendence appeared over others to witness the irony thus open progress.

We can consider the irony as a literary technic of displacement, in that it seeks to overturn and refute everything that is false in life, and this is what many of the maqamat of Badi al-Zaman al-Hamdani have been consistent in their satirical speeches.

No matter how the art of satire is included in the framework of ironic literature, because it possesses the element of laughing, we can make it among the finest forms of literary expression, especially if we know that it contained critical attitudes that are reflected in our fictions as a sense of semantic paradox associated with laughter often emotions.

Accordingly, by exploring the contradiction with each other or with the essay context of maqam discourse, the paradox did not occur between two meanings within the framework of the same word but occurred between two meanings according to each linguistic arrangement of each term, and then the paradox wore another garment that is not necessarily available with one word that carries two meanings Insofar as the condition of contradiction is present, which contributes effectively to generating