إيقاع الشعر العربي : قراءة سوسيوثقافية

Abstract EN

Most studies on research in Arabic poetry music start from the threshold of investigating the performative side in building Arab poetry and its rhymes, and what is related to it in terms of studying Arab poetry and its branches, and related aspects such as crawls, ills, types of activations, sections of the poetic house and its patterns, and the nature of the sound system Approved in the construction of rhyme, titles, types and defects.

Or it may be launched in her study in terms of describing the stylistic touch that distinguishes the product of a poet from poets from the rest of his peers, by monitoring the dominance of a specific pattern of seas and rhymes with the associated phenomena within the framework of what is termed in modern performances and rhythmic studies as (the external component of the rhythm or Outer rhythm)