تشكلات الحوارية في مسردية غنائية الحب و الدم لعز الدين جلاوجي

Abstract EN

This study seeks to examine the manifestations of the dialogism in the narrative, which is a term developed by Djalaodji to express a writing that intergates theater with narration, of reading for it, and achieve the goal of reading for it, by investing the narration, So the narrative becomes a narrative form that can be read, it can be also made into payable play The importance of this research lies in its openness to a new form in writing, and it aspires to reveal the extents of its submission to the narrative dialogue with theater in addition to showing the formation of dialogism in it, according to prespective of the Russian critic"Mikhail Bakhtine"of the composition stylistic units in which the image of language is created.

the conclusion reached that Narrative is discursive enunciation discourse.