النزعة الفولكلورية في الرواية الجزائرية : مقاربة جمالية تاريخية

Abstract EN

This article seeks to reveal the algerian novelist's propensity to employ popular heritage in his novels with artistic templates.

Taking into account the aesthetic difference between novelists in terms of their technical understanding, using some elements of heritage as a means of proof of identity, and a mask that hides their orientation, the purpose of employing the popular heritage was to download new textual connotations, which allowed the novelist to deepen his vision with some popular suggestions, where the Algerian novel found in the heritage a raw narrative material that contributed to its construction and activation of its events.