الفن المسرحي من الكتابة النصية إلى التفاعل الرقمي

Abstract EN

Today, digital literature in general, and theatrical literature in particular, offers an open text, a text without limits, as the creator, regardless of his type of creativity, can create a text and cast it on a website, leaving readers and users the freedom to complete the text as they like.

So that it gives the recipient / user the opportunity to feel that he is the owner of everything presented on the network, that is, he elevates the status of the recipient who has been neglected for many years by critics and those interested in the literary text, and who first paid attention to the creator, then the text, and finally turned to the recipient, and this results in making it all the recipients and users of the digital text are participants in it, and owning the right to add and modify the original text.