الممثل بين المسرح الفقير عند غروتوفسكي و السينما الشعرية عند بازوليني

Abstract EN

The actor in the poor theater is considered one of the most important additions made by "Grotovsky" to dramatic art in general and theatrical art in particular, by developing the techniques of the former, especially the relationship between the actor and the audience.

And all of this through his employment of participation and confrontation as two basic characteristics that challenge the techniques of cinema in its dealings with the actor, on the other hand, a new cinematic current has emerged in Europe, which aims to change cinematic concepts, whether on the level of technology or acting, known as poetic cinema, and aims to create a new expressive language that liberates The spectator is a passive recipient by involving him in the event, relying on camera techniques and cinematic alienation derived from the idea of theatrical alienation