الحيوانات المركبة البرية في الفنون العربية الإسلامية حتى نهاية القرن الثامن الهجري الرابع عشر ميلادي : دراسة آثاريه–فنية

Abstract EN

The motive for the embodiment of composite animals or "transformed from nature and superstition", as some call it, was not the inability of the artist to imitate reality, nor was it a means of concealing the analogy to God on the Day of Judgment, but rather to the feeling of constant preoccupation with eternal existence.

Thus, the Muslim artist realized that "precision does not lead to truth.

The truth is not the image that corresponds to the form, but in the form corresponding to the whole meaning".

The Arab Muslim artist sought to transcend the world of martyrdom to reach the world of the unseen.

When he drew a form in a manuscript or on a wall or A piece of fabric was not sought from the image to precision and simulation, but to drop his intuition in an invisible world with borders and separations Based on this view, the appearance of the composite animals in the Islamic artistic productions spread over different periods and varied in their forms, excelled in drawing them in harmony, even though they are made up of several different objects.

The Arab Muslim artist gave wide spaces to his art to represent the wild animal forms, The work of aesthetic content is combined with symbolic content