تسريد الشعر في تجربة محمد جربوعة بين القصيصة و آليات السرد

Abstract EN

Muhammad Jarboua's poetic experience achieved a special presence; both at the level of the number of the published divans, which approached twenty, and at the level of the depth and diversity of this experience.

It maks it one of the most important contemporary Arab experiences.

Despite all this, criticism remained scarce in reading it and discovering its worlds, and that was a sufficient motivation to pay attention to it and focus on a part of it which is “ the embrace of poetry and narration within it”.

This is considered as one of its most important characteristics, and we stopped at laying out the concepts of poetry and narration and what happens between them in terms of relationship.

Then we restricted the conversation with the presence of the narration at the level of the title threshold and the preface threshold, then, in the body of the texts, starting from the narration "the poem / story", to the manifestation of the mechanisms of narration such as event, scene, description, dialogue, personality, place and time.

We are open in this to a set of approaches, and the mechanisms of the semiotic method in particular.

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Then, in the body of the texts, starting from the narration "the poem / story", to the manifestation of the mechanisms of narration such as event, scene, description, dialogue, personality, place and time, we are open in this to a set of approaches, and the mechanisms of the semiotic method in particular.

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