التاريخ و الرواية : من العبرة إلى الحكاية

Abstract EN

A When the novel craves history, it gives it the opportunity to turn into a discourse, in exchange for him giving up a small amount of the authority of the document.

Then when he surrenders to her, she acts transcendently over his contexts and conditions.

The prevalence of ambiguity over fictional writing related to history, but rather results from the double reference; On the one hand, leaning on history does not allow you to manipulate the established times.

On the other hand, the narrative text imposes devotion to the narrative imaginative.

Can a writing of this type fulfill both obligations? If successful, are the topics of this writing classified within the circle of experimentation or simulation?