مخالفة الشعراء للأعراف و التقاليد الاجتماعية في شعر الغزل الجاهلي : دراسة اجتماعية نفسية

Abstract EN

The study aims to shed light on some of the poetry of the ignorant people in the ghazal that were present in the general sense, as the poems were interpreted in the commentaries of the divans without delving into what was hidden from this poetic presence, which also missed the requirements of modern criticism of the concept of poetry.

From general explanations that were the result of the jurisprudence of the ancients that lacked the mechanisms of modern critical discourse, which is based on the study of psychological and social cases in some poetic personalities, a reclining that can be referred to in the formulation of some ancient explanations And present it more clearly than before.

The study also tries, among its objectives, to correct some of the ancient theories that classify poets and place them in a specific framework without delving into beyond these present poetic data, as people are tired of the theory of this most eloquent house, and this necklace of eternity, and other ancient critical names that critics have given to Some poems in an attempt to classify those who
say it and place them in a specific critical framework.

The study has dealt with some of the explicit spinning images in the pre-Islamic era, and the adventures of poets contrary to the norms of society, showing some aspects of exaggeration, which leads to believe that most of them were a matter of imagining and depicting the forbidden in forms that are poetically available and not possible and acceptable to society, custom and people at that time.

The study is based on psychological references that most critics overlook in dealing with the explanations of these poems.