ظاهرة الإلغاء و أثرها الدلالي

Abstract EN

The cancellation of a syntactic phenomenon, which the grammarians have placed a great interest on it due to its heavy use in the Arab tongue, is considered one of the most prominent issues associated with the work of cardiac acts.

Therefore, its cancellation needs the realization of thought in different connotations that may arise on the structure to get what the speaker want to say.

This is because the meaning of the cancellation is not like the meaning of acting and the speaker is restricted to the meaning, so he cannot act or cancel at any time he wants without looking at the meaning and the intent.

The meaning of acting means that speaking is based on doubt either by putting the verb at the beginning or the end.

For the cancellation, speaking is based on certainty and then you get confused.

Morever, in acting we are in front of one sentence and in cancellation we are in front of two sentences.

That is why this study comes to shed light on this phenomenon through the definition of cancellation and highlighting its cause and the effect of that on the meaning.

The study also tries to reveal the importance of the acting theory on which the cancellation stands.