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Metatheatre in Femi Osofisan’s Morountodun
Author
Source
Issue
Vol. 9, Issue 1-4 (31 Mar. 2020), pp.39-59, 21 p.
Publisher
Cairo University Cairo University Center for Languages and Translation
Publication Date
2020-03-31
Country of Publication
Egypt
No. of Pages
21
Main Subjects
Topics
Abstract EN
This paper aims at examining the metatheatrical devices used by Osofisan in his play Morountodun.
It also reveals his purpose from using these devices; that is, his attempt to incite the audience / readers to reform their socio-economic conditions and challenge the existing social hierarchy that is unjust.
To do that, Osofisan uses multiple metatheatrical techniques such as addressing the audience, self-reference of the play to itself as a play, role playing-within-a role, the play-within-a play, music, songs … etc.
He successfully creates a distance between the audience and the theatrical situation, by using such techniques, to allow them to reflect on what they see and relate it to the real life in which they are supposed to be active participants.
American Psychological Association (APA)
Anwar, Jihan M.. 2020. Metatheatre in Femi Osofisan’s Morountodun. Hermes،Vol. 9, no. 1-4, pp.39-59.
https://search.emarefa.net/detail/BIM-1242457
Modern Language Association (MLA)
Anwar, Jihan M.. Metatheatre in Femi Osofisan’s Morountodun. Hermes Vol. 9, no. 1-4 (Mar. 2020), pp.39-59.
https://search.emarefa.net/detail/BIM-1242457
American Medical Association (AMA)
Anwar, Jihan M.. Metatheatre in Femi Osofisan’s Morountodun. Hermes. 2020. Vol. 9, no. 1-4, pp.39-59.
https://search.emarefa.net/detail/BIM-1242457
Data Type
Journal Articles
Language
English
Notes
-
Record ID
BIM-1242457