مصير الفن و الوجود الحقيقي في فكر هيدجر

Abstract EN

Martin Heidegger (1889-1976), in his aesthetic reading of art, tried to portray the model of difference and contrast embodied in the work of art, as a way to reveal the aesthetic truth, which is contingent on showing real existence.

Heidegger directed his criticism of the aesthetic theories that were related to the subjectivity, and caused Forgetting the original existence, stripping art and separating it from life, and for this he called for the imitation of the tragic culture, which appealed to the need to protect art, and to reverence the symbolic connotations that the earth contains as the artistic material from which the aesthetic truth is inspired, and this is what contributes to untangling the chains of metaphysics that obscured the truth .