بنية الايقاع في قصيدة "حياة" لفدوى طوقان

Abstract EN

Talking about the rhythmic experience is usually divided into artistic tools determined by the recipient whenever he wants to delve into the musical aspects of the contemporary literary text that requires us to stop at the transformations that he underwent, in contrast to the harmonious musical units that many poets tried to develop, especially Fadwa Toukan, who collected poetic expression, ancient and modern, thus achieving a new shift towards excellence and creativity.