البلاغة في أدب ابن معصوم الشيرازي : صوره الخيالية في ضوء الدراسة و التحليل

Abstract EN

In contemporary literary criticism, photography is one of the most popular terms.

The critics of the communiqué have touched upon them widely, but in ancient times they have not been known as they are now.

In fact, photography crystallizes the rich meanings and ideas of the literary artist.

It is embodied in a coherent and structured framework and presents a clear body of his poetry experience.

However, each literary idea and how it is performed is derived from images that are derived from the unconscious mind of each individual.

In this way, there are different critical views and attitudes related to the analysis of the literary results and the productions obtained from them.

For this picture, indicators and constructive parts such as color, tongue, The animal.

In their relationship with others, a total picture is reflected in a good text.

The son of Masum Shirazi is one of the poets whose hands are filled with rhetorical images.

It is more than the use of false images in his poems to be successful in what crosses and is distinguished by his creative creativity.

Used in Diwan Ibn Masoum al-Shirazi in an ingenious manner.

This article focuses on the method of analytical characterization, the extensive knowledge of rhetorical technologies in the art of photography, the recognition of the poet Ibn Masum Shirazi and his position as one of the poets whose poetry has become the evidence of his poetry