جمالية التفاعل في شعر "أبي الشمقمق" : قراءة في تقنية الفراغ الباني

Abstract EN

This study belongs to the field of studies that enumerate the text with a linear structure towards making the aesthetic effect, and its significance together through the reader's interaction with the text.

The aesthetic effect is not found in the text, nor with the reader, but rather in the results of the interaction between them.

According to this perception, the study selected the "constructive space" technique as an aesthetic phenomenon that was crystallized and its German origins proved to be the German "Wolfgang Eiser" in defining the two poles of reading with an artistic pole, which is the text, and an aesthetic pole, which is what the reader achieves through his interaction with the text; Therefore, the study intended to utilize this strategic sensor to illuminate the linens, gaps, and debris extending over the body of “Abi Al-Shamaqmaq” in order to activate the communication process between the text and the reader.

This study was divided into three axes: (1) the techniques of albedo, and it included: a- graphic structure, b- intertextuality, c- symbol.

(2) vacancy, and it included: a- multiple voices listing, b- summary.

(3) Forms of negation, and it included: A - the negation of the cultural element, b - the negation of the class criterion, C - Religious exile.