المخفي و المكبوت في (رائحة السينما)‎ لنزار عبد الستار : (أبونا)‎ أنموذجا

Abstract EN

Our Critical Reading The binaries and gaps of the narrative text "Abona" are replaced by the use of text overlapping and to the hidden destination and hidden under the ice bottom, which is hidden by the narrator in the story "Abuna", and the first threshold can be reached by the researcher is the address has been deliberately narrated to make the title charming multiple meanings of the semantic address is the power of words exist in the narrative but the authority actually does not exist .

In the research, we discussed the textual narration of Abuna through major readings: 1-Our father / the place ...

If our father is lost, the place is lost *Generated texts *Social bookmarking *Place (two-pet and Maadi) Are these all the first readings to highlight the hidden to the public we have penetrated the secret and became a text is revealed and there are hidden objects and suppressed narrator's intentions to hide in his narrative because the text contains spaces and gaps and cracks is a space and holes are open spaces that make us accept many different readings of one effect.

The summary of what we come out of our reading of this story that "Nizar Abdul Sattar" writer and novelist novelist has a specificity is the creative, which is divided between his hands writing spaces.