النقد الثقافي : قراءة تعاقبية في مقارباته التأسيسية

Abstract EN

The openness feature, and looking at harmony as a highly realized in the pairing of discrepancies and other features that characterized the era of postmodern thinking, led to the need to see the text as a highly textual document which gets its highness not on the basis of formal or aesthetic considerations as if these foundations no matter how seemingly integrated, but in fact, its extrapolation is determined in aesthetic monitoring - for example- searching the mechanisms of effect and responsiveness and meaning production.

One of the results is the manifestation of the signs of cultural criticism, the fact that the culture had to form a human thought and give it its pattern, as well as the need for human society to exchange it logically and brilliantly.

This has led to the emergence of the term "cultural criticism", a branch of the general textual criticism, which deals with the criticism of structures implicit in the text in all its manifestations, patterns and formula, in order to produce a cultural study revealing the (unspoken) in the text of not as an aesthetic value, or just a group of formal structures, but to consider it as a cultural value that is pregnant with cultural norms of social and cognitive formulas or cultural ones in general.

The study aims at: - Monitoring Cultural criticism as a critical practice tended to study creative texts, particularly texts that characterized as neglected texts in the eyes of officialdom, some opposition texts, popular literature, and feminist literature, and so on.