المحاورة السردية الشعرية في الشعر العربي المعاصر : قصيدة وعاد في كفن لمحمود درويش أنموذجا

Abstract EN

the process of creation has long since passed through different stations, attempted to approach the literary text, in order to explore its depths and to seek its technical properties and its thematic characteristics, which makes it possible to place it in its frame appropriate, we have adopted the classification of literary works between narrative and poetic, each with its peculiarities and boundaries that separate it from the other, which does not allow the transgression of one against the other, the story remains a story and poetry remains poetry you must not confuse them.

many Arab and Western critics were interested in the distinction between the narrative and the poem, where they considered the over celebration of the language, and the rejection of the narrative, and the presence of oneself, the most important characteristics that are unique to poetry, and in that sense, the poem is a more responsive writing that needs more beauty and linguistic warmth and flexibility in expression and playing with words, the poem is rich in acoustic symmetries, Temporal equivalencies and symmetrical parallels, that is why it is considered as a discourse, its goal is in itself, that is to say that it has its own chronological sequence.

As for prose is the language of communication and the transfer of thought and a means of depicting reality and expression, so it finds its justification externally, it also depends on the reporting function, and moves away from subjectivity and rhythmic language.

Narrative texts tend to describe dialogue sequence events and generate narratives.

Despite the existence of these boundaries between the types of narrative and poetry, but this does not prevent the existence of a paradox in some poetic texts in the presence of narrative art and its regularity in a good way and In particular, there are many poetic texts in which his author has mixed poetry and narration, for which we would like to ask the following confusion: What are the narrative techniques that the poet adorns his poetic production? The following questions follow from the previous one: - How does poetry overcome its technical rules and its reception of narrative rules? - what pleasure achieved by the narrative overlap in the poetic text? - Are there criteria to control the narrative-poetry process? - How to approach poetic texts with narrative features? We will answer all these questions and other questions by communicating with one of the poems of the poet Mahmoud Darwish, entitled "returned to a shroud" or (WaAada fi kafane) where the poet baptized in the logic of narrative in a A poetry-narrative conversation in contemporary Arabic poetry-the example of "returned to a shroud" or (Wada fi kafane) by MahmoudDarwish.