تمثلات النسق الشعري في قصيدة مكابدات ليلى في العراق لبشرى البستاني

Abstract EN

In this research ,we try to show that poetry consists of a pattern that governs it, and this pattern is represented by everything that poetry is of its linguistic, objective and artistic nature.

It is the system that frames it.

The paper is divided objectively and artistically .

The artistic one is represented by love pattern and sequences of mask as well as deviation patterns of rhythm ,that is sound and rhythm , and we made use of the characteristics of the pattern that works with its own function explained by the analysis.

In this poem, the poet invokes the story of (Qais and Layla) and takes it as a mask that addresses the bitterness of reality and conspiracies of others, and invokes traditional symbols of love in order to search for a higher value that seeks its existence and spreads its activities in our time.

The poem consists of four sections, each stanza draws its connotation and moves from one section to another in the form of an objective and weighty leap through which the poet tries to present her visions and get out of the constraint of one weight to plurality, and from the restriction of time by moving from the past to the present.