مستويات التناص في شعر محمد بن الطلبه الموريتاني : دراسة تطبيقية

Abstract EN

Intertextuality is one of the modern critical phenomena that appeared in literature in the mid-sixties In research the French researcher Julia Kristeva, and then many critics addressed it with study and application.

This has been Opinions of critics differed About intertextuality, its types, forms, and levels, and there has been a wide confusion between it and the old critical concepts such as theft, inclusion, taking, etc.

Whatever the matter, intertextuality studies the relationship between previous and present texts, and the aesthetic effects deposited in the present text, and the purpose of employing it.

I dealt with this through the poems of Muhammad Ibn Talaba that were mentioned in his Poetry Diwan; That Mauritanian poet, the venerable scientist, the unique poet, and I revealed the levels of intertextuality in his poetry, and I adopted on the integrative approach, and among the most important results of the research: Ibn Talibah most of intertextuality with the The Holy Quran and the Hadith of the Prophet, and this is due to his religious upbringing, that the levels of intertextuality (ritualistic - indicative - orption - dialogue) that appeared in his poetry vary in their smallness and abundance according to the situation and context.

Enable Ibn Talaba, with his artistic ability, to obey intertextuality to express his thoughts and opinions, to convince receiver and and influence it.