توظيف الصورة الفنية لدلالة الانا و الآخر في الصحيفة السجادية

Abstract EN

Alsahifa Al-Sajjadiyya has had a distinguished place in the Islamic herit- age, as it is the second creative prose text after Nahj al-Balagha, because it contained a sober literary style and wonderful artistic images, as well as add- ing suggestive images on the topic to express the hidden aesthetic dimen- sion in the text and draw the reader’s attention and what is doubtful about It The supplications of Imam Zain al-Abidin (peace be upon him) are a sub- jective, guiding, educational and preaching discourse, intending to guide and educate society on the true Islamic beliefs and morals, as well as to chart the correct paths for the right creation according to the contexts of that era and its data, and they were employed through special elements and methods, to breach barriers Authority, thus creating a hidden connection between himself and others, and the Imam invested in artistic photography because he was more involved in detail, contemplation and slowing down, and this indicates a sense of responsibility on the part of the Imam to the other for his guid- ance, as well as increasing the recipient’s ability to understand through inter- connectedness and unity in his supplications, as he employed His outstand- ing ability in systems and casting, power of expression and beauty to put the meanings in their creative positions that absorbed their graphic images, and the Imam was fully intentive from the diversity of his connotations to give the recipient a choice.

He is a god to shape it, and is unique in producing it from others, so that the matter reaches the recipient himself with every reading a new image is formed, interacts with its meaning and is affected by it