التناص القرآني في ديوان الإمام الشافعي

Abstract EN

The researcher dealt with the concept of intertextuality, as it was seen by some scholars as a literary flaw.

This was to compare it to literary plagiarism, and it was seen by some as an addition to the growth of Arabic literature and criticism.

The researcher tilted the scale that you see in addition to the literature, where the benefit from contemporary or previous texts of the text in the text.

As demonstrated by previous experiences, and what the researcher has touched on through this research.

The researcher dealt with the concept of intertextuality as it is a Western and non-Arab concept.

The measurement and interview were demonstrated with certain Arabic terms such as: participation, raiding, procurement, quotation, exclusion, emulation, and inclusion.

Then, the meaning of the Qur'anic intertextuality was addressed, and the definition of the poet whose literary output was applied to the study, which is the Imam al-Shafi, and the extent of his influence with the Holy Qur'an in his poetry.

The intertextuality in his poetry from the Holy Qur'an varied in several levels, which were studied in: Intertextuality at the level of the word, the intertextuality at the level of the idea, and the intertextuality at the level of the word and the idea together; It has been proven to the researcher that the poet's literary output has been influenced so much by the Holy Qur'an that there is hardly a single verse of his poetry in it except in which there is a discourse of the Holy Qur'an.