القناع بوصفه تقنية بنيوية: مقاربة في الشعر السعودي

Abstract EN

The research of the mask as a structural technical description (approach in Saudi poetry) follows this technique through a group of Saudi poets, subjecting them to interpretation, study and analysis through a range of perceptions and visions.

After the research questions, the researcher discusses the literature review, the most modern Arabic studies and mask definition, self, the self-poet, the polyphony and the intertextuality with other poets through practical processing.

The researcher attempts to raise questions about the definition of the mask as a technique that penetrates the texts and methods/styles and being as the artistic way the poet use to solve the challenges he faces without expressing his visions and ideas.

The research attempts to reveal the concept of the mask and its essence and role in constructing the meaning and the related concepts of intertextuality and self, and edit the text accurately, and then access to the experiments of the selected models of the Saudi poets (Ghazi Algosaibi in the text of (Suhaim), Muhammad al-Thubaiti in the text (Alsalouk), Abdullah Thabet in the text (Lorca), Hammad al-Faqih in text (in the manner of Lorca) And the Dumini in the text (Jahel bird Moalaga).

Finally, the conclusion of the research, which thinks that poets are of a complete awareness of the poets in the handling and using the mask in various and fruitful forms.