غبطة حضرتي شعرية المخاتلة الأجناسية و متعة البحث عن المستور

Abstract EN

The recent Arab poem has descended from the full recognition of what surrounds and enriches the philosophy of poetry and the novel fields it implies that determines its identity and embellishes the private environment surrounding it.

Perhaps the susceptibility to the audiovisual and articulate propinquity is the best means for deception and the Interest of searching for the unseen on the semantic and artistic levels.

Never has the accuracy of poetic idiosyncrasy together with its deep-rooted origins been away from the revolution of (Hadith saying) and ultimately a poem having a confusion in its concepts, levels and limits.