غروتيسك الهامش و المركز في مسرحية " امرؤ القيس في باريس " لعبد الكريم برشيد

Abstract EN

One of the main issues that the theater has been calling for and simulated is the focus and the marge that the theater used and highlighted viathe Grotesque technique in order to expose and elucidate it more putting this technique it in a public exhibition, in word and picture, to see it, laugh at it and take revenge on it in a huge awful caricature that drips with sincerity, awareness and obituary.

This is what we learned with " AbdelkrimBerrechid " when he gave a modern Arab prince named "Imru-al-Qays"his true status in "Paris", and removed from him all appearances of the prince in dramatic scenes full of crude criticism, reversing the comedy to the tragedy, the tragedy of the Arab monarch and the Arab peoples.

Our article approaches the violations of the focus and theobstacles in the margin through the following problematic: how to mess and play with the focus which becomes a margin and the margin which has beenpromotedtoa focus?