الغيرية في رواية أنا و حاييم للحبيب السايح : الحضور المفاهيمي و التمثل الروائي

Abstract EN

This study seeks to approach the text of the novel “Me and Haim” by the Algerian novelist Habib Al-Sayeh, through a procedural saying, “otherness”, standing by its conceptual presence and its representation by the novelist, based on Michael Bakhtin’s philosophical reference to the new Kantian creative aesthetic, his act of néo-kantisme And investing in a conceptual network based on Marbourg school, through "empathy" the basic concept of pioneers of German artistic thought, Bachten relies on "a German aesthetic from his era," William Warringer " who in turn summarizes and synthesizes the ideas of Aloïs Reigl, Theodor Lipps and others.

”For Wöringer,“ Creative activity is a self-confession, a loss of self, a lack of it in the external world: art is born only at the moment when the artist is afforded his inclination to art”.