مفهوم التجاوز عند الشاعر- الناقد الشعراء : النقاد الستينيون في العراق أنموذجا

Abstract EN

The research deals with a literary term with a renewed effectiveness in the critical lesson, adjacent to many literary terms, including: (renewal, experimentation, poetic modernity, and rejection), etc.

, and there is no doubt that the poet / critic is the most daring in the updating of the poem, the renewal of the subject and the renewal of the subject Because it may be the most aware of the processes of creativity and criticism, and the Arab poetic scene has witnessed since ancient times a voice rejecting previous poetic concepts, especially among poets who worked in the critical and poetic fields, including: Al-Nabegh Al-Dhubiani, Abu Tamam and Ibn Al-Muataz and Abu Ala and others.

The research chose the sixty critics in Iraq as models for the lesson, represented by the most prominent voices that formed the presence at that time, and they are the poets of the poetic statement: (Fawzi Karim, Fadel Al-Azzawi, Sami Mahdi, Khaled Ali Mustafa), as their critical discourse was characterized by an explicit call to transcend the dominant poetic model On the scene of poetry at the time, and precisely: the pioneering poets, relying on a set of critical statements that confirm the necessity of transcending that discourse and adopting a new discourse project that can interact with the facts of new life, instead of the dreams of romance, and leave with the spaces of dreams.