أسلوبية التشكيل الشعري عند شعراء كربلاء : القصيدة الحسينية اختيارا

Abstract EN

Husseini poetry has taken a distinctive position within the realm of Arabic and Iraqi poetry for the attentive focus of its poets towards Ahlul-Bait (The Prophet's Pure Family).

This poetry shows a highly noticeable mark, exceeding the spatio-temporal setting through poets' imagination, that acts as a source of inspiration and emotional and mental revelation.

This is reflected in audiences' stimulation, reception, and interaction with the universal case of Imam Al-Hussein by the efforts of Karbala'i poets and their poetic creativity.

This research studies the stylistic poetics of Husseini poetry seen in particular committed Karbala'i poetry productions that are marked with loyalty, creative and aesthetic values, and prominent identity.

The study focuses on those poets who pictured the political, religious, and moral aspects of the revolution of Imam Al-Hussein case; Senior Muhsin Abu Al-Hab, Junior Muhsin Abu Al-Hab, and Jawad Bidqat).

The research is divided into an introduction and four sections.

The introduction presents the poets under study.

The first section studies the phonological patterning, under "Rhythmical Poetics'', via: music-rhythm alternation and rhyme-phonological focus phenomena.

The second section handles poetic image foregrounding through: substitution and resemblance structuring, aesthetics of foregrounded structuring, and aesthetics of verbs assembling.

The third section is limited to the poetics of iron and paradox.

The fourth section is devoted to the poetics of repetition.

The study has reached into some conclusions in this regard.