مسرح الكباريه السياسي و تمثلاته في عروض كاظم النصار
Other Title(s)
Features of the political cabaret theater in the shows of Kazem al-Nassar
Author
Source
مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية
Issue
Vol. 2021, Issue 41، ج. 1 (30 Apr. 2021), pp.803-824, 22 p.
Publisher
Wasit University College of Arts
Publication Date
2021-04-30
Country of Publication
Iraq
No. of Pages
22
Main Subjects
Abstract EN
The Iraqi director (Kazem Al-Nassar) is a producer of shows that took the characteristic of political cabaret and what befell the Iraqi self in terms of crises and the effects of wars and civilizations, which had its loads of marks and treatments for crises, to have the distinction of presenting and reading the reality of the successive societal shocks.
The research came in four chapters, which included the first chapter (the methodological framework for the research) and the research problem asking about: The features of the political cabaret in director Kazem Al-Nassar's theatrical performances? The importance and need for research were evident in: a.
The Iraqi director's response and his equilibrium with the events of daily life, its crises and transformations.
b.
Useful research concerned in theater direction.
c.
As for the aim of the research, it sought to: Expose the features of the political cabaret in the shows of the Iraqi slasher (Kazem Nassar).
The images of the research came as the temporal boundary of the period between (2014-2017) and the spatial boundary came: it was concerned with Baghdad / Iraq.
He carried the objective limit: the features of the political cabaret theater in the theatrical performances of the Iraqi director Kazem Al-Nassar.
The second chapter (the theoretical framework) includes two topics: First: References to the political cabaret show.
Second: Arab and Iraqi political cabaret theater performances.
The chapter was concluded with indicators of the theoretical framework.
The third chapter includes the research procedures, namely: First: The research sample, which included presentations (cartoon and cinema dreams).
Second: The research tool, the researcher relied on the theoretical framework indicators as a tool to analyze the research sample.
Third: Research methodology, the researcher adopted the descriptive and analytical approach in analyzing the sample.
As for the fourth chapter, it included first: the results, second: the conclusions, establish the sources and references, then the abstract in English
American Psychological Association (APA)
الشبيبي، زينة كفاح علي محمد. 2021. مسرح الكباريه السياسي و تمثلاته في عروض كاظم النصار. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية،مج. 2021، ع. 41، ج. 1، ص ص. 803-824.
https://search.emarefa.net/detail/BIM-1266852
Modern Language Association (MLA)
الشبيبي، زينة كفاح علي محمد. مسرح الكباريه السياسي و تمثلاته في عروض كاظم النصار. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية ع. 41، ج. 1 (نيسان 2021)، ص ص. 803-824.
https://search.emarefa.net/detail/BIM-1266852
American Medical Association (AMA)
الشبيبي، زينة كفاح علي محمد. مسرح الكباريه السياسي و تمثلاته في عروض كاظم النصار. مجلة لارك للفلسفة و اللسانيات و العلوم الاجتماعية. 2021. مج. 2021، ع. 41، ج. 1، ص ص. 803-824.
https://search.emarefa.net/detail/BIM-1266852
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن مراجع ببليوجرافية : ص. 820-824
Record ID
BIM-1266852