الإيقاع الداخلي في قصيدة النثر

Abstract EN

The prose poem came out of the prose, not from theprepared mold, This means that it came out of life, not from themind.

It came out of reality, not from an industrial elite that wasproposed by the literary circles at the time، Suzanne Bernhard hasadapted two versions of the prose poem: the formal poem, whichis imposed on time with regular rhythmic structure and form, andspecial methods in poetic systems We will note directly thosemethods that are in the possession of prose poem to impose on thetime extension structure and form limited to the two types ofdivision into poetry sections and repetition, which includes crisesto recover words or topics، And the analogies of each kind wereall used very early in poets of the prose poem، The Ashurqiyah, which erases the limits of space and time.

It cuts the bridges on theforms of the whole time period (place time logical conclusion).

And liberate itself to time and defeat, so Susan Bernard dividedinto two types، A conservative is a poem that I called formal orvisual or periodic، And the rebellion is Alsharkip thus time playedan important role in making the prose poem conservative andrebellious commitment to the rhythms of time and the region makesthem Governor and out on the rhythms of time.

And an area thatmakes them rebel and this refers one way or another to what wecall the inner rhythm of the prose poem