سيميائية و بنية الصورة في أفلام محمد خان : فيلم (مستر كاراتية)‎ مثالا

Abstract EN

We are asking ourselves about the importance and feasibility of semiotics in art in general and cinema in particular.

Art interferes with the lives of people despite the multiplicity and diversity of currents.

However, it remains an activity and human product that other people, according to their perceptions, references and inherited cultural backgrounds, Which generates many questions and questions ranging from rejection to achievement or acceptance is the basis for the success of the work done, art becomes a social phenomenon extending through time and space.

Since life is the principle of art, we see the artist moving upward from a point he knows until he reaches an important artistic center according to his heritage and humanity.

Therefore, the lack of art and its connection to semimology, which has become one of the most important aspects of contemporary life, says Eberto Eco.

The semiotics factor plays a role in establishing the art of cinema and cinema as a semantic role in linguistics.

Hence, the study of the researcher is represented by the films of the Egyptian director Mohammed Khan as a reflection of the issues of society and his growing interest in cinema in the form of symbols, signs and signs of semiotic iconography.

The masses, like any other art, possess the sender, the mediator, and the recipient in order to reach their ideas through the symbols that are the most important characteristic of human activity.

Therefore, the message of art is loaded with human feelings and information.

Gh shape is a bit complicated))