جماليات التنوع الشكلي في الخزف العراقي المعاصر : قاسم نايف أنموذجا

Abstract EN

The formal diversity occupied a large space in the studies by invoking formal vocabulary recalled from the environment with its inherited reference, where the artist achieved a special aesthetic that was driven by various self-motivations that caused a change in the forms of artistic work by using materials within the structure of the achievement, which gave formative relationships that have their effects with the elements associated with them, In addition to making it contribute to the creativity of thought with well-known paths and governed by several factors and influences that contribute to establishing new relationships between its elements.

The first chapter reviewed a number of terms contained in the title of the research, and the second chapter dealt with two topics: the first is the aesthetics of the artistic form, the concept and the meaning, while the second topic concerns diversity Formalism in contemporary Iraqi ceramics, and the theoretical framework was concluded by extracting indicators from it, and previous studies and discussing them, to be used in the formulation of the paragraphs of the research tool (sample analysis form).

The third chapter deals with the research procedures, as in the current research it follows the (descriptive - analytical) approach, in which the research community was defined, "30" works of art were chosen, and "3" works were selected, where 5 areas were identified for analysis, while the fourth chapter included the results of the research The conclusions and recommendations and the findings and conclusions reached by the researcher are: - The general form gives the characteristic of diversity through the construction of the artistic work related to the artist's experience and style, as in model 1, 2, 3, then recommendations, proposals, sources, appendices.