التشكيل الصوتي في قصيدة التفعيلة : ديوان "قلق أنا" ل "عبد الرحيم جداية" نموذجا

Abstract EN

The contemporary poet has benefited from the multiplicity of images of deviation, the advantages and defects of the rhyme, and whatever enters into the poetry from various defects, such as: rotation and inclusion, and other attribution, delaying, and strengthening, and this is what made the poet use tools to master them, as he found the opportunity to hold it and put it in its right place as he desires it.

The phonemic composition of the standard poem, the music and the acoustic rhythm, became an aesthetic pattern that appears to some contemporary poets, including the poet Abdul Rahim Jadaya in his collection (Concerned I Am).

This called researchers to extrapolate some models of this phenomenon, and to monitor and study it to show the musical and rhythmic coloring of the parts of the poem with its new phonetic composition.

As for the research methodology, the two researchers relied on the descriptive and applied approach to the text, in the study of relevant models.