الحوار الخارجي (المباشر)‎ في الشعر العراقي : جيل الستينات أنموذجا

Abstract EN

When paying attention to the direct employment of dialogue, we will be in front of a deep drama world characterized by the interactive dramatic elements that achieve the event's growth and prosperity in a building that shows the modernist poet's awareness of the seriousness of this technology in deepening the drama of the text, and being the closest expressionist to the drama area, because it will establish a direct relationship between the element and the structure that invited it to embody it, the direct dialogue relationship deepens the drama of the text even if the linguistic space of the dialogue is short, and if we look at the specificity of the direct external dialogue of the poets of the 1960s generation In Iraq, we find it an infrastructure in the structure of the poem, although the limited space it uses in their poetic output, but it reflects important aspects of the psyche of the poet who works on the assumption of a personality that he interacts with through the diagnosis of the assets and the statement of his relationship with them.