ظاهراتية الوجه في القصيدة المائية لعلي جعفر العلاق

Abstract EN

This poem served as a portal that imposes a phenomenological purpose, revolving in the mind of the poem's ability to sammarize the experience of love, in what it is trying to give it a kind of serenity and purity, so this poem, (the water poem) was a glossary that practiced a contradictory path associated with combustion between the elements of water and fire.

Everything tries to extinguish the thirst of the emotional frenzy suffered by the poet's psyche, the poem was a picture or a simulation of both internal and external combustion, .

Through the poet's choice of vocabulary that enhances the aspects of combustion, the title of the poem (water poem), was a recoil or a state of psychological satisfaction by extinguishing the internal combustion from the surface of this poem, it was the water that like the disease, medicine and garden that the poet adored, where the face is only language through which the poet was able to create a kind of understanding and recognize a language that discovers love in the present and ent face as a geographical component through which the poet set a homeland, a presence and belonging to all that represents a permanent identity based on love, giving, loyalty and sacrifice.