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المسرح الملحمي و مقارباته النصية و الاخراجية في العراق : عوني كرومي أنموذجا
Other Title(s)
Epic theater and its textual and directing approaches in Iraq : Awni Karumi as a model
Author
Source
مجلة جامعة تكريت للعلوم الإنسانية
Issue
Vol. 28, Issue 3، ج. 1 (31 Mar. 2021), pp.321-336, 16 p.
Publisher
Tikril University College of Education for Humanizes
Publication Date
2021-03-31
Country of Publication
Iraq
No. of Pages
16
Main Subjects
Topics
Abstract EN
Epic theater has great importance in the world theater, Arab and local theater, after which one of the most important and newest currents in the middle of the twentieth century, which achieved wide and rapid spread, as it was consistent with the ideological, cultural, political and philosophical variables of the attempt of the theorists of this trend (Piscator and Bersht) to free themselves from theater is both great in form and content.
The current research deals with the experience of the Iraqi director Awni Karumi, one of the most important experiences of Iraqi and Arab theater, as it was consistent with the epic approach, and with this the research came in four sections that included the research problem, its importance, its limits and objectives, and the research concluded by defining the most important terms.
The second section is represented by two studies, the first one was a conceptual introduction to the epic theater, and the second one dealt with the foundations of the epic theater and the second chapter came out with several indicators.
The third section was procedural, during which the sample was monitored, selected and analyzed, and two models were chosen for the director Awni Karume, namely (The Good Man and the Life of Galilee).
The fourth section is concerned with the findings and conclusions and a list of the most important sources and references.
The research has produced important results, the most prominent of which are: 1- Awni Karoumi tried to preserve the epic structure (text and direction), as this construction came in the play of the good man in the way that draws and the theory of the epic theater.
Even after the text is annotated, we find there are plays that have an Iraqi folk character mixed with the epic Burchette narration.2- The director tried to adapt the text and the presentation to serve the cause he believes in, and the shows were overwhelmed by the Iraqi locality, but it is in an epic template because of the high flexibility that the epic provides in the mechanisms of controlling the dramatic construction and presentation techniques.
American Psychological Association (APA)
زياد حلو جاد الله. 2021. المسرح الملحمي و مقارباته النصية و الاخراجية في العراق : عوني كرومي أنموذجا. مجلة جامعة تكريت للعلوم الإنسانية،مج. 28، ع. 3، ج. 1، ص ص. 321-336.
https://search.emarefa.net/detail/BIM-1270847
Modern Language Association (MLA)
زياد حلو جاد الله. المسرح الملحمي و مقارباته النصية و الاخراجية في العراق : عوني كرومي أنموذجا. مجلة جامعة تكريت للعلوم الإنسانية مج. 28، ع. 3، ج. 1 (آذار 2021)، ص ص. 321-336.
https://search.emarefa.net/detail/BIM-1270847
American Medical Association (AMA)
زياد حلو جاد الله. المسرح الملحمي و مقارباته النصية و الاخراجية في العراق : عوني كرومي أنموذجا. مجلة جامعة تكريت للعلوم الإنسانية. 2021. مج. 28، ع. 3، ج. 1، ص ص. 321-336.
https://search.emarefa.net/detail/BIM-1270847
Data Type
Journal Articles
Language
Arabic
Notes
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Record ID
BIM-1270847