التشكيل السمعي في معلقة لبيد بن ربيعة : مقاربة سيميائية

Abstract EN

The ancient poetic texts were clearly marked by the auditory composition due to the strength of oral temporal elements of culture over other elements as visual ones, for instance, which were linked mainly to written and spatial culture.

Thus, in the Mu'alaqat of Labeed, which is one of the oldest written poetic texts, we find that the audio and mental imagesform formative signs and indicators paving the way to the multiplicity of readings and the transition from the superficial explicit meaning to the deep implicit meanings according to the semantic approach by analyzing the audio and musical structures in this text.

Moreover, despite the multiplicity of purposes within the text of this Mu'alaqat, it is still a complete semantic unit that can not be segmented except to reproduce a new connotation.