النقد الإسلامي : التحديات و الحلول

Abstract EN

Islamic literature is the intellectual reference and philosophical structure that literature carries.

Therefore, Islamic literature is defined as “the expression arising from the fullness of the soul with Islamic feelings”.

Anyone who writes literature within the framework of this idea is considered Islamic, even if it is not a Muslim, on the basis that this (The idea) requires certain (values) that govern the balances that make this literature Islamic”.

Islamic literature has been associated with Islamic criticism, which is a normative criticism that gives spaces to the self, so it is a holistic, balanced criticism that is derived from its comprehensive Islamic vision that is balanced in foundations and features, away from the monolithic criticism applied by non-Islamic doctrines.

The truth is that talking about contemporary Islamic criticism is an affordable and thorny conversation at the same time: easy because experience is present that fills the hearing and vision, and thorny because the experience itself still senses ways of growth and methods of revolution, just like the vast human experiences.

Nevertheless, extrapolating the achievements of contemporary Islamic criticism has become an indispensable and indispensable assumption in a soft (constructive) stage, in which the need for emptying the serious capacity appears coherent, and the ability to confront the causes of challenge and obstruction appears in itself.

And on the basis of this research, which was based on the descriptive approach and aims to accept or reject Islamic criticism; Islamic criticism follows Islamic principles and beliefs, and with the presence of these values in Islamic literature, there must be an Islamic literary criticism, because Islamic literature adheres to Islamic values and teachings in its literature, so it should be judged on the balance of Islamic criticism only.