تجليات الإسلوب في التناص الداخلي المفارق : شعراء الغزل الأموي إنموذجا

Abstract EN

The elements and meanings of the concept of intertextuality are evident once by adopting the various methods that appeared in previous and contemporary periods of the artist's productions, to be inspired by orbing its intellectual contents and linguistic structures as ways to interact with it and take advantage of its contents and creativity within its present products, whether these linguistics and salary are inspired consciously or without awareness, given To enter it within the intellectual system of the poet or artist and to include it in the processes of analysis and synthesis through which all the meanings and creative speeches produced in his time are deduced, and on the other hand they appear and parallel those sympathetic approaches Spell and taken from previous and contemporary meanings, linguistic and stylistic paths for the same poet represented by his literary personality that distinguishes him from the rest of his cohorts with its deduced structure through the accumulation of accumulated experience on the one hand, and the poet's creative ability to harness his synthetic energies to create a conscious style that is self-evident and expresses his directions and paths on the one hand Again, then he begins to practice his own style, which will be inherent in his internal sympathies, with its various shrines and its expressive structures.