الثنائيات الثقافية في القصة القصيرة التفاعلية (صقيع)‎ ل محمد سناجلة

Abstract EN

Interactive literature is defined as a literature that is presented only through digital media and, if it can be presented through a paper medium, it negates an interactive literature.

This critical description applies most effectively to the short interactive story (Frost), it is a story that delivared from convergence between literary creativity and modern technology, represented by the digital medium in full, and depends on the enhancement of its artistic idea, on a set of visual and musical media, and the complexity occurs, through the use of bookmarks sometimes, and interactive icons at other times, making them at the forefront of literary content, which belong to Interactive literature.

This literary content introduced as a postmodern literature, means that it is not based on the idea of unity and constancy, but rather on elements of heterogeneity and deconstructural difference rather than structural.

However, the fact is that the interactive literature, until this moment, remains confined to the structural conception of literary creativity.

There is a basic center on which all other elements are based, and what is going on in the struggle to introduce this literary achievement is an internal struggle, that does not destroy the literary text as a whole, but destroyed it from the interior, this signifies direct connotation, that this literary achievement bears the spirit of modernity, but is dressed in postmodern dress.

The Media, is the predominant element of this literature, is the element of its existence and independence from other literary activities.

Media based on more than one element and medium contributes to the development of a new level of language, a new literary language, the language of sound, image and speech, A truly interactive language.